Introducing StoryFutures Presents, our new live talk series on the Future of Storytelling
This month we are kicking off an all-new format, StoryFutures/Presents, a series of talks that will invite people across a breadth of storytelling formats to give vital insights into the future of storytelling. Starting us off on the 11th June is Jason Crouch, a maker, researcher and creative technologist working in creative, technical and production roles across live performance. After the talk, viewers will have a chance to put questions to our panel of experts on narrative and storytelling.
StoryFutures/Presents: A state of contemporary storytelling series, exploring emergent theory and creative practice
A platform showcasing novel and timely perspectives from makers and researchers across the expanded immersive field; including immersive theatre and embodied live practices, interactive digital narrative and XR alongside platform agnostic design approaches. We will consider how developments in immersive storytelling are shaped by current funding and production realities while reflecting on the evolution of new forms within the context of Media Arts and Digital Performance history.
If, to paraphrase Nam June Paik, we innovate not by winning the game, but by changing the rules, what rules are currently ripe for re-imagining? What cultural forms could we unlock by doing so? What futures might that enable? William Gibson recently talked of the increasingly daunting task of conceiving any future against the escalating strangeness of the world we are living through. A concern echoed in the Conceptual Emergency declared by the International Futures Forum, who describe how “the world we have created has outstripped our capacity to understand it. The scale of interconnectivity and interdependence has resulted in a step change in the complexity of the operating environment.” Gibson, like pionering scenario planner Pierre Wack before him, suggests the ability to conceive of a future proceeds directly from a deep engagement with, and reimagining of, the present. Perhaps surveying present storytelling from this peculiar moment of change may offer useful vantage points to illuminating some of our possible storyfutures?
11th June: Jason Crouch
Title: But tell me, where’s the stage?
At the heart of theatre storytelling is the gathering together of audience and performers in this place, at that time. The word theatre itself is derived from the ancient Greek ‘viewing place’: so, theatre is defined not by architecture but by the action and intent of the people who assemble there. Theatre transforms and encompasses space: it can exist inside your headphones, or in a cavernous hall built with unknown intentions but co-opted, now, for telling a story.
Yet, the stories we tell using online and digital tools are as much an interrogation of the place we choose to tell them in, as they are of the characters in the stories themselves. Even as we use these tools in our day to day life, we find the narratives that fit into platforms are, through choices made in their design, a subset of those which could find their place there. As storytellers in a connected world, it is our duty to also reveal how technology influences the telling, how the shape of the infrastructure can drive the story and choose who can take part.
Jason has written and produced plays, created and collaborated on performance at many different scales. Projects have included work theatres and digital performance labs, including Contact in Manchester and Culturehub in NYC, building multi-sited events that united remote performers and audiences from different time zones, on one stage.
Jason Crouch's Thesis
Mediated messages – Jason Crouch
Collaborators & colleagues
Gateshead International Festival of Theatre
International Festival of Theatre (GIFT)
Pinheiro & Lisa Parra
Gudrun Soley Sigurdardottir
(link is to a new collection of her work edited by Reni Eddo-Lodge)
The Technology and the Society (1974)
Introducing Identity (2008),
book chapter ‘Youth, Identity, and Digital Media’
McGrath, in conversation with Rebecca Atkinson-Lord
Chris Thorpe, Theatre is a Laboratory
Social capital: networking in Generation X.' The Generation X Report.
A Quarterly Research Report from the Longitudinal Study of American Youth
Miller, J. D. (2013)
Artwork and Artists
Hole in Space (1980)
Kit Galloway and Sherrie Rabinowitz
(final segment in The Medium is the Medium)
You With Me
Artistic Director of Kaleider, Seth Honnor discussing You With Me
End Meeting For All
Hidden Track – Playful, political theatre
Coney - interactive theatre makers - creating games, adventures and play where people can choose to take a meaningful part
Dr. Safiya Umoja Noble – Algorythms of Oppression
Cathy O’Neil – Weapons of Math Destruction
Algorithmic Justice League
Facebook influencing the emotions of users